{"id":1008,"date":"2016-10-14T10:34:10","date_gmt":"2016-10-14T09:34:10","guid":{"rendered":"http:\/\/citu-paragraphe.fr\/?p=1008"},"modified":"2016-10-14T10:34:38","modified_gmt":"2016-10-14T09:34:38","slug":"computer-art-congress-2016-cac-5-26-28-octobre-2016-msh-paris-nord","status":"publish","type":"post","link":"https:\/\/citu-paragraphe.fr\/index.php\/2016\/10\/14\/computer-art-congress-2016-cac-5-26-28-octobre-2016-msh-paris-nord\/","title":{"rendered":"Computer Art Congress 2016 [ CAC.5 ] – 26-28 octobre 2016 @ MSH Paris Nord"},"content":{"rendered":"

\"evenement-computer-art-congress-affiche\"<\/a>CAC.5 propose une r\u00e9flexion sur l\u2019\u0153uvre d\u2019art comme un objet mat\u00e9riel, ainsi qu\u2019aux processus complexes entourant une \u0153uvre d\u2019art. CAC.5 interroge les supports \u00ab mat\u00e9riel \u00bb qui donnent forme \u00e0 une \u0153uvre d\u2019art ; les m\u00e9thodes d\u2019archives que les artistes, conservateurs, collectionneurs et institutions emploient dans leur pratique ; le remix et re-catalogage que les utilisateurs et les publics mettent en place. En outre, CAC.5 cherche \u00e0 pousser la discussion vers des visions sp\u00e9culatives sur l\u2019archivage subjectivit\u00e9, en cr\u00e9ant l\u2019obsolescence, et la pr\u00e9servation \/ conservation des relations m\u00e9ta-organiques. Des artistes et des chercheurs de partout participent \u00e0 cet \u00e9v\u00e9nement (au moins 20 pays).<\/p>\n

Informations pratiques<\/a>
\nMercredi 26 au vendredi 28 octobre 2016
\nDe 9h30 \u00e0 18h00
\nMSH Paris Nord
\n20 Avenue George Sand
\n93210 Saint-Denis, France
\nM\u00e9tro 12. Front Populaire (sortie no. 3).<\/p>\n

Entr\u00e9e libre mais inscription obligatoire<\/a>
\n<\/strong>
\nContact(s)
\n<\/strong>Everardo Reyes : ereyes-garcia@univ-paris8.fr<\/a>
\nKhaldoun Zreik : khaldoun.zreik@univ-paris8.fr<\/a><\/p>\n","protected":false},"excerpt":{"rendered":"

CAC.5 propose une r\u00e9flexion sur l\u2019\u0153uvre d\u2019art comme un objet mat\u00e9riel, ainsi qu\u2019aux processus complexes entourant une \u0153uvre d\u2019art. CAC.5 interroge les supports \u00ab mat\u00e9riel \u00bb qui donnent forme \u00e0 une \u0153uvre d\u2019art ; les m\u00e9thodes d\u2019archives que les artistes, conservateurs, collectionneurs et institutions emploient dans leur pratique ; le remix et re-catalogage que les …<\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":[],"categories":[9],"tags":[],"jetpack_featured_media_url":"","jetpack-related-posts":[{"id":8872,"url":"https:\/\/citu-paragraphe.fr\/index.php\/2025\/02\/23\/9eme-edition-hyperheritage-international-symposium\/","url_meta":{"origin":1008,"position":0},"title":"9\u00e8me \u00e9dition HyperHeritage International Symposium","author":"Nasreddine Bouhai","date":"23 f\u00e9vrier 2025","format":false,"excerpt":"https:\/\/hyperheritage.org Argumentaire Les avanc\u00e9es technologiques dans les domaines du num\u00e9rique et de l\u2019informatique ont profond\u00e9ment modifi\u00e9 notre relation au patrimoine culturel. 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