{"id":695,"date":"2016-02-03T09:32:43","date_gmt":"2016-02-03T08:32:43","guid":{"rendered":"http:\/\/citu-paragraphe.fr\/?p=695"},"modified":"2016-02-03T09:33:32","modified_gmt":"2016-02-03T08:33:32","slug":"call-for-papers-cac-5-digital-art-archiving-and-questioning-immateriality","status":"publish","type":"post","link":"https:\/\/citu-paragraphe.fr\/index.php\/2016\/02\/03\/call-for-papers-cac-5-digital-art-archiving-and-questioning-immateriality\/","title":{"rendered":"Call for Papers: CAC.5 &#8211; Digital Art: Archiving and Questioning Immateriality"},"content":{"rendered":"<p>***** Call for papers, artworks, workshops, demos *****<\/p>\n<p>CAC.5<br \/>\nDigital Art: Archiving and Questioning Immateriality \u2013 2016, Paris<\/p>\n<p><a href=\"http:\/\/www.computer-art-congress.org\/\" target=\"_blank\" rel=\"nofollow\">http:\/\/www.computer-art-congress.org\/<\/a><\/p>\n<div class=\"text_exposed_show\">\n<p>The Computer Art Congress is an international gathering around art, science, technology, and design. Its first edition was celebrated in Paris (2002), then the CAC traveled to Mexico City (2008), then came back to Paris (2012), and recently was hosted in Rio de Janeiro (2014). In fourteen years, a community of artists, curators, researchers, scholars, scientists, designers, students, and professionals has contributed to the domain with artworks, papers, round tables, workshops and exhibitions, exploring questions such as \u201cemerging forms of computer art\u201d, \u201cpost-digital art\u201d, and \u201ccomputer art for all\u201d.<br \/>\nIn 2016, the 5th edition of the Computer Art Congress will take place in Paris, organized by the Citu-Paragraphe research team at University Paris 8 in partnership with the University of Michigan, the University of Hong Kong, the Universidade Federal do Rio de Janeiro and the RAN (R\u00e9seaux d\u2019Art Num\u00e9rique). The selected topic for this edition is \u201carchiving and questioning immateriality\u201d.<\/p>\n<p>CAC.5 calls for contributions interested in reflecting on the artwork as a material object, but also invites a consideration of the complex processes that surround a work of art. In this respect, the artwork might be regarded from the potential emotional and or intellectual effects that it might trigger, whether foreseen or not in advance by the artist. Such effects could be deployed in small or large scale, from small teams to the entire world via networked technologies and distributed exhibition spaces. However, the Internet and electronic devices have proven to be less stable and long-lasting than they seem. How should one deal with artworks when we take into account their multidimensional nature (designed for and perceived in a non stop shifting universe): temporal, spatial, exploratory, communicational, collaborative? Any inquiry of archival and representation becomes a complex subject.<\/p>\n<p>CAC.5 believes that such entry points raise problematic issues that also demand one to interrogate the \u201cMaterial\u201d supports that give form to an artwork; the archival methods that artists, curators, collectors and institutions employ in their practice; the remix and re-cataloging appropriations that common users and audiences put in place; Furthermore, we hope these initial questions will push our discussion towards speculative visions on archiving subjectivity, creating obsolescence, and preserving\/conserving meta-organic relationships (i.e. relations among technical, social, and individual organs understood as autopoietic organisms).<\/p>\n<p>You can find in this site information about types of submission and preferred topics for this edition (<a href=\"http:\/\/www.computer-art-congress.org\/\" target=\"_blank\" rel=\"nofollow\">http:\/\/www.computer-art-congress.org\/<\/a>)<\/p>\n<p><a href=\"https:\/\/i0.wp.com\/citu-paragraphe.fr\/wp-content\/uploads\/2016\/02\/12366134_10207541690674150_1583002390927422686_o.jpg\" rel=\"attachment wp-att-697\"><img decoding=\"async\" loading=\"lazy\" class=\"aligncenter wp-image-697\" src=\"https:\/\/i0.wp.com\/citu-paragraphe.fr\/wp-content\/uploads\/2016\/02\/12366134_10207541690674150_1583002390927422686_o.jpg?resize=420%2C596\" alt=\"12366134_10207541690674150_1583002390927422686_o\" width=\"420\" height=\"596\" srcset=\"https:\/\/i0.wp.com\/citu-paragraphe.fr\/wp-content\/uploads\/2016\/02\/12366134_10207541690674150_1583002390927422686_o.jpg?w=676&amp;ssl=1 676w, https:\/\/i0.wp.com\/citu-paragraphe.fr\/wp-content\/uploads\/2016\/02\/12366134_10207541690674150_1583002390927422686_o.jpg?resize=211%2C300&amp;ssl=1 211w\" sizes=\"(max-width: 420px) 100vw, 420px\" data-recalc-dims=\"1\" \/><\/a><\/p>\n<p>&nbsp;<\/p>\n<\/div>\n","protected":false},"excerpt":{"rendered":"<p>***** Call for papers, artworks, workshops, demos ***** CAC.5 Digital Art: Archiving and Questioning Immateriality \u2013 2016, Paris http:\/\/www.computer-art-congress.org\/ The Computer Art Congress is an international gathering around art, science, technology, and design. Its first edition was celebrated in Paris (2002), then the CAC traveled to Mexico City (2008), then came back to Paris (2012), &hellip;<\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":[],"categories":[11,9],"tags":[],"jetpack_featured_media_url":"","jetpack-related-posts":[{"id":205,"url":"https:\/\/citu-paragraphe.fr\/index.php\/2015\/11\/30\/site-cac5-en-ligne\/","url_meta":{"origin":695,"position":0},"title":"Site CAC5 en ligne","author":"Pierre Ch\u00e2tel-Innocenti","date":"30 novembre 2015","format":false,"excerpt":"The Computer Art Congress is an international gathering around art, science, technology, and design. Its first edition was celebrated in Paris (2002), then the CAC traveled to Mexico City (2008), then came back to Paris (2012), and recently was hosted in Rio de Janeiro (2014). In fourteen years, a community\u2026","rel":"","context":"Dans &quot;Non class\u00e9&quot;","block_context":{"text":"Non class\u00e9","link":"https:\/\/citu-paragraphe.fr\/index.php\/category\/non-classe\/"},"img":{"alt_text":"","src":"https:\/\/i0.wp.com\/www.computer-art-congress.org\/wp-content\/uploads\/2015\/11\/cac-5-poster2_2048px.jpg?resize=350%2C200","width":350,"height":200,"srcset":"https:\/\/i0.wp.com\/www.computer-art-congress.org\/wp-content\/uploads\/2015\/11\/cac-5-poster2_2048px.jpg?resize=350%2C200 1x, https:\/\/i0.wp.com\/www.computer-art-congress.org\/wp-content\/uploads\/2015\/11\/cac-5-poster2_2048px.jpg?resize=525%2C300 1.5x, https:\/\/i0.wp.com\/www.computer-art-congress.org\/wp-content\/uploads\/2015\/11\/cac-5-poster2_2048px.jpg?resize=700%2C400 2x, https:\/\/i0.wp.com\/www.computer-art-congress.org\/wp-content\/uploads\/2015\/11\/cac-5-poster2_2048px.jpg?resize=1050%2C600 3x, https:\/\/i0.wp.com\/www.computer-art-congress.org\/wp-content\/uploads\/2015\/11\/cac-5-poster2_2048px.jpg?resize=1400%2C800 4x"},"classes":[]},{"id":6988,"url":"https:\/\/citu-paragraphe.fr\/index.php\/2024\/02\/20\/2d-3ai-international-symposium\/","url_meta":{"origin":695,"position":1},"title":"2d 3ai international symposium","author":"Nasreddine Bouhai","date":"20 f\u00e9vrier 2024","format":false,"excerpt":"Art in the\u00a0Age of\u00a0Artificial\u00a0Intelligence https:\/\/3ai-24.sciencesconf.org\/ Department of Audio & Visual Arts, Ionian University, Corfu, Greece 26-27 May 2024, Corfu, Greece Joint conference with DCAC\u00a0(\u00a0https:\/\/avarts.ionio.gr\/dcac\/2024\/\u00a0) The 1st \"3AI\" was held in La Louvi\u00e8re in Belgium on 27-28 April 2023 and was organised by Transculutures (Centre of Digital and Sound Arts, Belgium)\u2026","rel":"","context":"Dans &quot;CfP&quot;","block_context":{"text":"CfP","link":"https:\/\/citu-paragraphe.fr\/index.php\/category\/colloque\/cfp-colloque\/"},"img":{"alt_text":"","src":"","width":0,"height":0},"classes":[]},{"id":1008,"url":"https:\/\/citu-paragraphe.fr\/index.php\/2016\/10\/14\/computer-art-congress-2016-cac-5-26-28-octobre-2016-msh-paris-nord\/","url_meta":{"origin":695,"position":2},"title":"Computer Art Congress 2016 [ CAC.5 ] &#8211; 26-28 octobre 2016 @ MSH Paris Nord","author":"Pierre Ch\u00e2tel-Innocenti","date":"14 octobre 2016","format":false,"excerpt":"CAC.5 propose une r\u00e9flexion sur l\u2019\u0153uvre d\u2019art comme un objet mat\u00e9riel, ainsi qu\u2019aux processus complexes entourant une \u0153uvre d\u2019art. CAC.5 interroge les supports \u00ab mat\u00e9riel \u00bb qui donnent forme \u00e0 une \u0153uvre d\u2019art ; les m\u00e9thodes d\u2019archives que les artistes, conservateurs, collectionneurs et institutions emploient dans leur pratique ; le\u2026","rel":"","context":"Dans &quot;Colloques&quot;","block_context":{"text":"Colloques","link":"https:\/\/citu-paragraphe.fr\/index.php\/category\/colloque\/"},"img":{"alt_text":"","src":"https:\/\/i0.wp.com\/citu-paragraphe.fr\/wp-content\/uploads\/2016\/10\/evenement-computer-art-congress-affiche-213x300.jpg?resize=350%2C200","width":350,"height":200},"classes":[]},{"id":2682,"url":"https:\/\/citu-paragraphe.fr\/index.php\/2019\/04\/16\/colloque-hyperheritage-international-seminar-2019-la-fabrique-du-patrimoine\/","url_meta":{"origin":695,"position":3},"title":"HIS6 &#8211; Hyperheritage International Seminar. La   fabrique du patrimoine \u00e0 l&#8217;\u00e8re num\u00e9rique. Heritage Fabric in the Digital Age","author":"Luis Torres Yepez","date":"16 avril 2019","format":false,"excerpt":"HIS6 - Hyperheritage 6 Dedicated website:\u00a0http:\/\/europia.fr\/HIS6\/ The term HyperHeritage covers every hybrid cultural heritage environment augmented with digital information inviting us to explore new ways of perceiving, experiencing and practicing cultural heritage. Massive developments on ICT and the unprecedented spread of mobile, location-aware and immersive (Augmented and Virtual Reality) technologies\u2026","rel":"","context":"Dans &quot;Colloques&quot;","block_context":{"text":"Colloques","link":"https:\/\/citu-paragraphe.fr\/index.php\/category\/colloque\/"},"img":{"alt_text":"","src":"https:\/\/i0.wp.com\/citu-paragraphe.fr\/wp-content\/uploads\/2019\/04\/Colloque_HIS_2020-300x300.jpg?resize=350%2C200","width":350,"height":200},"classes":[]},{"id":4331,"url":"https:\/\/citu-paragraphe.fr\/index.php\/2021\/11\/08\/colloque-hyperheritage-international-seminar-2019-la-fabrique-du-patrimoine-2\/","url_meta":{"origin":695,"position":4},"title":"HIS7 &#8211; Repenser et faire revivre le patrimoine immat\u00e9riel \u00e0 l&#8217;\u00e8re num\u00e9rique","author":"Luis Torres Yepez","date":"8 novembre 2021","format":false,"excerpt":"HIS7 - Hyperheritage 7 Website:\u00a0http:\/\/europia.fr\/HIS7\/ 16 et 17 d\u00e9cembre 2021. Universit\u00e9 HASSAN II, Casablanca, Maroc Les soci\u00e9t\u00e9s humaines regorgent d\u2019un immense r\u00e9servoir patrimonial mat\u00e9riel et immat\u00e9riel, dont leur r\u00e9alit\u00e9 est intrins\u00e8quement corr\u00e9l\u00e9e \u00e0 l\u2019\u00e9volution de ces soci\u00e9t\u00e9s depuis fort longtemps. Certains de ces patrimoines ont travers\u00e9 et r\u00e9sist\u00e9 au temps,\u2026","rel":"","context":"Dans &quot;Colloques&quot;","block_context":{"text":"Colloques","link":"https:\/\/citu-paragraphe.fr\/index.php\/category\/colloque\/"},"img":{"alt_text":"","src":"","width":0,"height":0},"classes":[]},{"id":5554,"url":"https:\/\/citu-paragraphe.fr\/index.php\/2023\/10\/08\/demi-journee-art-science\/","url_meta":{"origin":695,"position":5},"title":"Demi-journ\u00e9e ART &#038; SCIENCE","author":"Nasreddine Bouhai","date":"8 octobre 2023","format":false,"excerpt":"DONN\u00c9ES, M\u00c9MOIRES ET ART le mardi 10 octobre 2023, 13h00 \u00e0 16h30, Salle des commissions Assister par zoom : https:\/\/univ-paris8.zoom.us\/j\/91935370507?pwd=T1d6VEIyazlQbXB6ck4vMzdHZjdPdz09","rel":"","context":"Dans &quot;Non class\u00e9&quot;","block_context":{"text":"Non class\u00e9","link":"https:\/\/citu-paragraphe.fr\/index.php\/category\/non-classe\/"},"img":{"alt_text":"","src":"https:\/\/i0.wp.com\/citu-paragraphe.fr\/wp-content\/uploads\/2023\/10\/DJ_ART-SCIENCE_mardi_10_OCT-scaled.jpg?resize=350%2C200&ssl=1","width":350,"height":200,"srcset":"https:\/\/i0.wp.com\/citu-paragraphe.fr\/wp-content\/uploads\/2023\/10\/DJ_ART-SCIENCE_mardi_10_OCT-scaled.jpg?resize=350%2C200&ssl=1 1x, https:\/\/i0.wp.com\/citu-paragraphe.fr\/wp-content\/uploads\/2023\/10\/DJ_ART-SCIENCE_mardi_10_OCT-scaled.jpg?resize=525%2C300&ssl=1 1.5x, https:\/\/i0.wp.com\/citu-paragraphe.fr\/wp-content\/uploads\/2023\/10\/DJ_ART-SCIENCE_mardi_10_OCT-scaled.jpg?resize=700%2C400&ssl=1 2x, https:\/\/i0.wp.com\/citu-paragraphe.fr\/wp-content\/uploads\/2023\/10\/DJ_ART-SCIENCE_mardi_10_OCT-scaled.jpg?resize=1050%2C600&ssl=1 3x, https:\/\/i0.wp.com\/citu-paragraphe.fr\/wp-content\/uploads\/2023\/10\/DJ_ART-SCIENCE_mardi_10_OCT-scaled.jpg?resize=1400%2C800&ssl=1 4x"},"classes":[]}],"_links":{"self":[{"href":"https:\/\/citu-paragraphe.fr\/index.php\/wp-json\/wp\/v2\/posts\/695"}],"collection":[{"href":"https:\/\/citu-paragraphe.fr\/index.php\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/citu-paragraphe.fr\/index.php\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/citu-paragraphe.fr\/index.php\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/citu-paragraphe.fr\/index.php\/wp-json\/wp\/v2\/comments?post=695"}],"version-history":[{"count":0,"href":"https:\/\/citu-paragraphe.fr\/index.php\/wp-json\/wp\/v2\/posts\/695\/revisions"}],"wp:attachment":[{"href":"https:\/\/citu-paragraphe.fr\/index.php\/wp-json\/wp\/v2\/media?parent=695"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/citu-paragraphe.fr\/index.php\/wp-json\/wp\/v2\/categories?post=695"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/citu-paragraphe.fr\/index.php\/wp-json\/wp\/v2\/tags?post=695"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}